table border=0 cellpadding=2 cellspacing=7 style=vertical-align:top;trtd width=80 align=center valign=topfont style=font-size:85%;font-family:arial,sans-serif/font/tdtd valign=top class=jfont style=font-size:85%;font-family:arial,sans-serifbr /div style=padding-top:0.8em;img alt= height=1 width=1 //divdiv class=lha href=http://news.google.com/news/url?sa=tamp;fd=Ramp;usg=AFQjCNH2FCmbnJhOcGBg7Y0heZKVk6So0wamp;url=http://www.independent.co.uk/arts-entertainment/classical/reviews/park-lane-group-purcell-room-londonnational-youth-orchestra-barbican-hall-london-6289652.htmlbPark Lane Group, Purcell Room, London National Youth Orchestra, Barbican Hall b.../b/b/abr /font size=-1bfont color=#6f6f6fThe Independent/font/b/fontbr /font size=-1In Jolivet#39;s Chant de Linos and David Matthews#39;s Duet Variations flautist Rosanna Ter-Berg revealed an unusually dark, opulent btone/b between the obligatory cascades of semiquavers. Edwin Roxburgh#39;s sylvan Flute Music with an Accompaniment was more b.../b/fontbr /font size=-1 class=p/fontbr /font class=p size=-1a class=p href=http://news.google.com/news/more?ncl=dAImM966O25H54Mamp;ned=usnobrb/b/nobr/a/font/div/font/td/tr/table